Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer.2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed?Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.

The setting is East Texas, where Peggy, a young nurse, works at an institution for the criminally insane. After her husband Danny is mysteriously killed in a car accident, she convinces herself that it was murder… and she knows the murderer by name… Jasper Johnson. When she gets notice from Marbelle Johnson, Jasper’s mother, requesting an impromptu meeting, she discovers that the filthy rich oil baroness believes Danny to have been the bastard child of her deceased husband, Charles Johnson.  Peggy, irreparably damaged from childhood by religious fanaticism, reluctantly agrees to exhume Danny’s body. Reeling with doubt, all the while fearing betrayal by the Johnsons, she finds herself bordering on insanity.  Shackled in darkness, Peggy throws herself into her work only to find herself face to face with a blonde haired, blue eyed schizophrenic in a straitjacket. Quite by circumstance she discovers that this patient, Morgan Dubois, who as a child was found burrowed in the ground in the Piney Wood Thicket, has a link not only to her late husband, but also to the aberrations of her mind.  As secrets are revealed and it becomes apparent that something or someone wants to silence their tongues, Peggy is forced to seek refuge with the Johnsons. Together, as death finds them, one by one, they set upon a perilous journey in search of truth. Deep in the heart of the Piney Wood Thicket, they stumble upon Cypress Creek and discover an existence older than time itself. Peggy, caught in a maelstrom of emotions, torn between two worlds, finds herself in a desperate battle, not only for her life, but for that of all of mankind.

Download a FREE chapter sampler of The Whisper Man!In this dark, suspenseful thriller, Alex North weaves a multi-generational tale of a father and son caught in the crosshairs of an investigation to catch a serial killer preying on a small town.After the sudden death of his wife, Tom Kennedy believes a fresh start will help him and his young son Jake heal. A new beginning, a new house, a new town. Featherbank.But the town has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man.And then Jake begins acting strangely. He hears a whispering at his window...

'Misery' is a gruesome story of torture with blood, guts, and a psychopath. It's a well told tale, the characters are well developed and the fact that there are only two of them never gets boring. It's a real page turner, in fact I finished it tonight after getting off the subway on the platform before I walked home. But, this book is more than just a thriller, just like King is more than just a pulp writer.I read an article by the ever optimistic and cheerful Harold Bloom in college about how dismayed he was that young people like Stephen King so much. All the literature crtics I've read hate King and it seems like it's just because people actually enjoy reading his work. Yeah, Bloom, I said 'work' just like I would about Tolstoy's 'work' because Stephen King as damned hard worker. Think of all the books he's churned out over the last few decades. I'd like to see Harold Bloom show enough imagination to write fiction instead of just criticizing it all the time.I'm actually new to Stephen King's fiction. I've read a few of the essays and articles he's written and a really great graduation speech he gave at UMaine awhile ago in which he extolled the virtues of our mutual home state, but this is only my 3rd novel by him. I like this guy, and I know why too. It's not just because he makes me scream and I have a hard time putting his books down, it's because King loves writing. He has a real and self-aware relationship with what it means to be a writer. He knows he's not Tolstoy or Faulkner, he doesn't try to write that way. He knows how to tell a good god damned story and he has a passion for it. I appreciate his self awareness as a writer and the fact that he ackowledges how difficult the whole process is while not making us feel like he's somehow superior because he's figured out how to do it.In 'Misery' it's almost like we get to watch King write this story. He doesn't just set us up for a crazy story and watch us discover things about his characters, it feels like he actually comes with us and makes the discoveries at the same time we do. That's what makes a good storyteller. And I don't give a damn if Bloom likes him or not.

'The apparition had reached the landing half-way up and was therefore on the spot nearest the window, where, at the sight of me, it stopped short'Oscar Wilde called James's chilling The Turn of the Screw 'a most wonderful, lurid poisonous little tale.' It tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a sense of intense evil within the house, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. Obsession of a more worldly variety lies at the heart of The Aspern Papers, the tale of a literary historian determined to get his hands on some letters written by a great poet-and prepared to use trickery and deception to achieve his aims. Both works show James's mastery of the short story and his genius for creating haunting atmosphere and unbearable tension.Anthony Curtis's wide-ranging introduction traces the development of the two stories from initial inspiration to finished work and examines their critical reception.

You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”And here’s what I’m thinking: I don’t want to be here.In this deeply suspenseful and irresistibly unnerving debut novel, a man and his girlfriend are on their way to a secluded farm. When the two take an unexpected detour, she is left stranded in a deserted high school, wondering if there is any escape at all. What follows is a twisted unraveling that will haunt you long after the last page is turned. In this smart, suspenseful, and intense literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, I’m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel pulls you in from the very first page…and never lets you go.

This is a three-chapter sampler.Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

Une jeune fille se réveille dans un lit qui n'est pas le sien. Plus inquiétant : la chambre dans laquelle elle se trouve n'est qu'un décor reconstitué dans une cave dont elle est prisonnière. La panique monte. Comment a-t-elle atterri ici ? Et pourquoi ? Pendant ce temps, des promeneurs font une découverte macabre : le corps décomposé d'une femme sur une plage. La disparition de la victime remonte à plusieurs années sans jamais avoir été signalée : la famille continuait de recevoir des nouvelles via les réseaux sociaux et n'avait donc aucune raison de s'inquiéter.Pour la détective Helen Grace, c'est la preuve que le meurtrier qu'elle traque est pervers, mais aussi intelligent et manipulateur. L'heure tourne. Et quelque part, une autre femme lutte pour sa survie ...

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

The electrifying, award-winning, internationally bestselling novel about a dystopian world in which animals have been wiped out, humans are being harvested for food, and society has been divided into those who eat and those who are eaten. Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think about how he makes a living. After all, it happened so quickly. First, it was reported that animals had been infected with a virus and their meat had become poisonous. Then governments initiated the Transition. Now, human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a specimen of the finest quality. He leaves her in his barn, tied up, a problem to be disposed of later. But she haunts Marcos. Her trembling body, her watchful, knowing eyes. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved. From Agustina Bazterrica, one of Latin America’s most celebrated and original new voices, Tender Is the Flesh is propulsive and profound, a searing cautionary tale about the cost of consumption and the ties that bind and break us.

gone girl

More lists by nevaeh perez

trauma

psychological

grotesque

romance

and i love her

movies

female tragedy

coming of age

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