SUK SUK is a quiet portrayal of a gay relationship between two men in their twilight years. PAK, 70, a married taxi driver who refuses to retire meets HOI 65, a retired single father. Although both are secretly gay, they are proud of the families they have created through hard work and hardship over the years. HOI is a member of the Mature Tongzhi Society, a social group, which caters for gay men who are over 60. The group is planning to attend a public forum to request the government to create senior citizen homes dedicated exclusively for gay people. However, due to the fact that most men in the group are in the closet, there is no one who is willing to voice their opinions in the public forum. HOI supports the notion of a gay senior citizen home and considers speaking in the public forum. However when HOI begins to wonder whether his son WAN suspect he is gay, his attitude shifts. As PAK and HOI fall in love they contemplate a possible future together. SUK SUK studies the subtle day-to-day moments of the two men as they struggle between conventional morals and their personal desires.

Permanent Residence explores, in complete abandon and full nudity, the life story of a young man who pursues an impossible love with his straight boyfriend and contemplates on the mortality of his loved ones. Permanent Residence exudes a deep understanding and sensibility towards the important issues involved in loving, living and dying.

Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. Few know that Handong's tastes run more to boys than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool hall that evening, and he nixes the deal. He takes Lan Yu home himself and gives the young man what turns out to be a life-changing sexual initiation. Handong and Lan Yu meet often, and the boy is soon very secure in his love for the man. But Handong insists that he wants a play-mate, not a lifelong companion, and warns Lan Yu that they will eventually break up. Meanwhile, he showers expensive gifts on Lan Yu, expecting to deflect the boy's love by turning it into gratitude or dependency. Lan Yu is undeterred, until the night he catches Handong with another boy. They meet again on the night of June 4th, 1989. Handong goes looking for Lan Yu, worried that he might have been caught up in the army's murderous sweep through Tiannmen Square. Handong gives Lan Yu his most lavish gifts yet - a newly built villa on the outskirts of Beijing and a car - and they begin living together as a couple. But again, Handong shies away from his feelings for the boy. He enters a whirlwind romance with Jingping, a professional translator who has helped his company in trade negotiations with Russians, and marries her. Lan Yu moves out of the village and Handong loses contact with him. Before long, Handong is divorced. He runs into Lan Yu by chance at the airport one day, and an invitation to try Lan Yu's home cooking leads to a resumption of their relationship. Now, at last, Handong is learns to feel and show commitment to his lover - just when his company comes under investigation for smuggling and illegal fund-raising. Handong is facing long-term imprisonment, possibly worse, but to the delight of his sister Yonghong and her husband Daning, he is bailed out by Lan Yu. The boy sells the villa and the car and pools the proceeds with his own savings - yielding enough to get Handong out of trouble. Finally, Handong and Lan Yu can be happy together. But fate can play cruel tricks.

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. After all, Po-Wing is not ready to settle down. Yiu-Fai now works in a Chinese restaurant and meets the youthful Chang from Taiwan. Yiu-Fai's life takes on a new spin, while Po-Wing's life shatters continually in contrast.

Nagisa is transgender. She grew up in Hiroshima as a man, but now lives in Shinjuku, Tokyo as a woman. Due to an incident, she begins to live with middle school student Ichika, who is a distant relative. Ichika has been neglected by her mother Saori. From living in solitude by herself, to now living with Ichika, Nagisa develops maternal instincts for the first time.

When Sanlian's ex-husband passes away, she discovers he has altered his insurance policy, cutting out their son in favor of a stranger named Jay. Outraged, Sanlian decides that she and her son will confront Jay, but Jay proves equal to her scheme. However, when her son unexpectedly moves in with Jay, she is forced to reassess her relationship with them both.

2018 film directed by Mag Hsu and Hsu Chih-yen

1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.

As a child living in a seaside town in southern Taiwan, studious Jonathan (Bryant Chang) was asked by his concerned teacher to look after rebellious classmate Shane (Joseph Chang). 10 years later, what was once a good-natured obligation has blossomed into a warm friendship, with Jonathan still on the academic track and Shane finding his calling on the basketball court. When Taiwanese-born schoolgirl Carrie (Kate Yeung) transfers to their school from Hong Kong and convinces Jonathan to join her on a secret day-trip to Taipei, her botched effort to seduce him in a sleazy love-hotel, combined with her observations of his and Shane's friendship, soon leads her to believe that the object of her affections is a homosexual in love with his best friend. Despite her initial misgivings about the boorish Shane, Carrie starts to give in to the troublemaker's roguish charm when he convinces her to become his girlfriend if he is accepted into university. Later, as Shane pulls his act together and Jonathan begins to experience a sexual-identity crisis, the former does his best to keep his feelings for Carrie secret in order to protect the feelings of his lifelong friend. Despite Jonathan's, Shane's, and Carrie's best efforts to keep their personal feelings secret, the truth eventually emerges, forcing all three to view their relationships in an entirely new light.

In 1987, decades of martial law is lifted in Taiwan and two schoolboys, A-han and Birdy, are about to enter an illicit love affair after meeting in the school band led by a Canadian priest named Oliver. While the whole country commemorates the late president, the two boys bask in each other's presence as A-han's affection for Birdy is awakened. However, society is homophobic and the threat of violence and social shaming enacted by adults and their fellow teens causes the two to come into conflict as they edge closer to physically enacting on their passions for each other. Birdy pushes A-han away by pretending to fall in love with a girl and this misunderstanding separates them. In desperation, A-han confessed to Father Oliver about his sexuality, only to be cut off again but love knows no bounds and the boys are meant to be together - Inspired by real events, the film is emblematic of the changes in Taiwan which became the first country in Asia to legalise gay marriage.

Asian LGBTQ+ movies

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