Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

Interwoven stories told over the course of one day.

26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 Paris, he meets Friedrich Engels, an industrialist's son, who investigated the sordid birth of the British working-class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx's new vision of the world. Together, between censorship and the police's repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.

Bright, intelligent, passionate and free, Eleanor is Karl Marx's youngest daughter. Among the first women to link the themes of feminism and socialism, she takes part in the workers' battles and fights for women's rights and the abolition of child labor. In 1883 she meets Edward Aveling and her life is crushed by a passionate but tragic love story.

2020 film directed by Susanna Nicchiarelli

One night, a group of workers discover their factory is being dismantled by the same administration that runs it. Quickly, the labourers organize themselves in order to occupy the plant.

In colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose husband is away in the city, to sleep with him. She slaps him and flees for safety to a spice factory where women grind chillies into fine powder. The aged factory guard, Abu Mian, locks the door behind her, refusing to open it to the soldiers, to the cowardly village men led by the mayor, and to the subedar himself. The town's teacher, who follows Gandhi, and a few women, led by the mayor's wife, protest ineffectually against this village-approved rape. The stage is set for a final confrontation.

1810. Enrique Faber, a Swiss surgeon, lands in Cuba in search for his son. After a few weeks of investigation, he is told that his son was burnt alive in the attack on a plantation led by a slave revolt. Enrique Faber does not believe this. He settles in Baracoa and carries on with his research. His success as a doctor and his marriage to Juana, a young strange and attractive pariah from the area soon create jealousies. Malicious rumours immediately spread about his high-pitched voice and his fragile appearance. One night, he comes across four men sent by a slave trader. They undress him and discover that Enrique is a woman... Enrique is thrown into jail. Soon begins the most scandalous trial of Cuban colonial history. Based on a true story

1932. Jimmy Gralton is back home in the Irish countryside after ten years of forced exile in the USA. His widowed mother Alice is happy, Jimmy's friends are happy, all the young people who enjoy dancing and singing are happy. Which is not the case of Father Sheridan, the local priest, nor of the village squire, nor of Dennis O'Keefe, the chief of the fascists. The reason is simple: Jimmy is a socialist activist. So when the "intruder" reopens the village hall, thus enabling the villagers to gather to sing, dance, paint, study or box, they take a dim view of the whole thing. People who think and unite are difficult to manipulate, aren't they? From that moment on they will use every means possible to get rid of Jimmy and his "dangerous" hall.

The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia (Marcello Mastroianni) is sent by (presumably) the Socialists to help them organize their strike and give form to their struggle.

During the Vietnam war, a girl is taken from her village by five American soldiers. Four of the soldiers rape her, but the fifth refuses. The young girl is killed. The fifth soldier is determined that justice will be done. The film is more about the realities of war, rather than this single event.

Cecilia, a Cuban girl of mixed race in violent 19th-century Cuba, is raised by her mother and grandmother as a courtesan. Soon, pale-skinned Cecilia catches the eye of the estate owner's son, Leonardo. Cecilia bows to Leonardo's demands provided he agrees to shelter a wounded member of the resistance movement at his home. Leonardo's wealthy father, Cándido de Gamboa, arranges the engagement of his son to a white girl of their own class. Cecilia tries to stop the wedding with tragic results.

Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the Cuban war of independence (with Spain), the 1930s, and the 1960s.

During Holy Week at the end of the 18th century, a count visits his Havana sugar mill on a day a slave has run away. The count tells his cruel overseer, Don Manuel, to pick 12 slaves who will be guests at the count's table. Don Manuel objects, but to no avail. The twelfth guest is the recaptured runaway. During the dinner the count uses religious analogies to lecture his guests on the perfect happiness possible in slavery. They in turn tell stories and make requests. He promises no work on Good Friday, but he leaves early that morning and Don Manuel rouses the slaves for a long day of cutting cane. They rebel. Which side will the count take?

A socialist epic recounting the struggles of revolutionary Chilean peasants in the 1920s and 1930s.

Three friends are part of an opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.

Revolutionary films

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