Elena Rainn

KRKY Y

Kyrsten Iris

Coen Van loo

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Watashi Wa Jigabudesu

Roman Bryzhatiy

Karl Halmos-Westram

Timothy Galvin

Ljsly Bernard

Ruby Brown

Dimitri Nuri

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.And in those last few chapters, you suddenly realize that the moral has changed as well.You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers. As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.	

Paulo Coelho's masterpiece tells the mystical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure. His quest will lead him to riches far different, and far more satisfying, listening to our hearts, of recognizing opportunity and learning to read the omens strewn along life's path, and, most importantly, to follow our dreams.

One of the most celebrated and controversial authors in America delivers his first novel—a sweeping chronicle of contemporary Los Angeles that is bold, exhilarating, and utterly original.Dozens of characters pass across the reader's sight lines—some never to be seen again—but James Frey lingers on a handful of LA's lost souls and captures the dramatic narrative of their lives: a bright, ambitious young Mexican-American woman who allows her future to be undone by a moment of searing humiliation; a supremely narcissistic action-movie star whose passion for the unattainable object of his affection nearly destroys him; a couple, both nineteen years old, who flee their suffocating hometown and struggle to survive on the fringes of the great city; and an aging Venice Beach alcoholic whose life is turned upside down when a meth-addled teenage girl shows up half-dead outside the restroom he calls home.Throughout this strikingly powerful novel there is the relentless drumbeat of the millions of other stories that, taken as a whole, describe a city, a culture, and an age. A dazzling tour de force, Bright Shiny Morning illuminates the joys, horrors, and unexpected fortunes of life and death in Los Angeles.

Ronald Miller is tired of being a nerd, and makes a deal with one of the most popular girls in school to help him break into the "cool" clique. He offers her a thousand dollars to pretend to be his girlfriend for a month. It succeeds, but he soon learns that the price of popularity may be higher than he expected.

Samantha's life is going downhill fast. The sixteen-year-old has a crush on the most popular boy in school, and the geekiest boy in school has a crush on her. Her sister's getting married, and with all the excitement the rest of her family forgets her birthday! Add all this to a pair of horrendously embarrassing grandparents, a foreign exchange student named Long Duk Dong, and we have the makings of a hilarious journey into young womanhood.

Cher, a high school student in Beverly Hills, must survive the ups and downs of adolescent life. Her external demeanor at first seems superficial, but rather it hides her wit, charm, and intelligence which help her to deal with relationships, friends, family, school, and the all-important teenage social life.

Follows a group of high school students growing up in southern California, based on the real-life adventures chronicled by Cameron Crowe. Stacy Hamilton and Mark Ratner are looking for a love interest, and are helped along by their older classmates, Linda Barrett and Mike Damone, respectively. The center of the film is held by Jeff Spicoli, a perpetually stoned surfer dude who faces off with the resolute Mr. Hand, who is convinced that everyone is on dope.

Terry Griffith has got it all -- looks, popularity, the perfect college boyfriend, and an article that's a shoo-in to win her a summer internship at the local newspaper - or so she thinks. When Terry's journalism teacher passes her article up in favor of a couple of pieces written by boys, Terry is convinced that sexism is to blame. Determined to win the internship at any cost, Terry goes undercover at a rival high school to resubmit her article - as a boy. But Terry gets more than she bargained for when she finds herself fending off a bully and the advances of an oversexed female admirer, and falling for her new friend Rick.

A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to do - and Trip Fontaine, he who could have any girl he wanted but wanting solely Lux.

1999 American film directed by Sofia Coppola

Shy, sensitive April is the class virgin, torn between an illicit flirtation with her soccer coach Mr. B and an unrequited crush on sweet stoner Teddy. Emily, meanwhile, offers sexual favors to every boy to cross her path - including both Teddy and his best friend Fred, a life wire without filters or boundaries. As one high school party bleeds into the next - and April and Teddy struggle to admit their mutual affection - Fred's escalating recklessness starts to spiral into chaos.

A Baltimore sandwich shop employee becomes an overnight sensation when a photographer's photos he's taken of his weird family become the latest rage in the art world.

Five young losers spend their days and nights wasting their lives away, hanging out in parking lots and occasionally mentioning that they might want to make something of themselves... someday. On this particular night, they are visited by an old high school friend who has escaped their suburban town to become a pop star.

Set in the midwest of the depression-era, Paper Moon follows Moses Pray and Addie Loggins - one a con artist, the other, the young girl who's the daughter of a woman who's just passed away. The pair meet when 'Mose' stops by the sparsely-attended funeral in Kansas of a woman he once knew (we never see her). In attendance, is the woman's young daughter, Addie, whom Moses agrees to transport to St Joseph, Mo -- for money, of course. Mose - an inveterate hustler, has been working ostensibly as a representative of the Kansas Bible Company - who picks his marks from the obits, and tries to sell - at exorbitant prices - the decedents' spouse the custom bible they'd previously ordered. Wise beyond her years, Addie picks up on Moses' grift, and very quickly, she and Mose become a team. Traveling from town to town, making money in every dishonest way imaginable, and looking for the ultimate score. The colorful characters they meet along the way make the film all the more interesting. One in particular - Miss Trixie Delight - an exotic dancer who Mose rescues from a traveling carnival and the girl who works for her, poor, suffering Imogene. Addie sees Miss Delight as a potential rival, and she concocts a plan with Imogene to free themselves of her. The film's peppered with regional dialogue, one of the most memorable line's uttered when Mose is forced to wrestle a backwoodsman in order to trade his new car for the hillbilly's battered old truck; "make him say calf-rope, Leroy!" one of the observers calls out. Paper Moon, directed by Peter Bogdonovich is adapted from the novel, "Addie Pray" (1971) by Joe David Brown.

The lucky winner of the national lottery is Ned Devine, so taken by his good fortune that he now can't be waked, because he died from the shock of it! News of the win spread quickly in the scenic little Irish village of Tully More, but not the secret news of Ned's demise. With lottery officials closing in to confirm the prize claimed by the deceased Devine, Ned's closest friends scheme to keep the prize money close to home, in memory of Ned of course! But as the plot twists humorously, they learn it is hard is to keep such a secret in a small town.

The Cahulawassee River valley in Northern Georgia is one of the last natural pristine areas of the state, which will soon change with the imminent building of a dam on the river, which in turn will flood much of the surrounding land. As such, four Atlanta city dwellers, alpha male Lewis Medlock, Ed Gentry, Bobby Trippe, and Drew Ballinger, decide to take a multi-day canoe trip on the river, with only Lewis and Ed having experience in outdoor life. They know going in that the area is isolated. Their relatively peaceful trip takes a turn for the worse halfway through with river rapids and unwelcoming locals. The four need to battle their way out of the valley and are asked to do things they never thought possible within themselves.

In London, Georges Thomason (Tom Georgeson), his seductive American girlfriend Wanda Gershwitz (Jamie Lee Curtis), and their associate Ken Pile (Sir Michael Palin) are planning their latest crime: a diamond heist that should net them 13 million pounds sterling. They plan to leave the country with the goods after the heist. On Wanda's recommendation, they enlist the help of her weapons-expert brother Otto West (Kevin Kline) for this heist. Actually, Otto isn't Wanda's brother, but her latest lover, a dimwit who gets off on his own body odor and believes he's an intellectual because he reads Nietzsche and does not tolerate being called stupid by anyone. Wanda has one weakness in men which is how Otto was able to get her to be his lover: speaking Italian in seduction. Wanda and Otto plan to double-cross Georges by having him arrested for the heist while they abscond with the jewels. Wanda further plans to triple-cross Otto by eliminating him from the picture after she has the jewels. They are able to get Georges arrested with him not knowing who tipped the off the police, and implicated by elderly eyewitness Eileen Coady (Patricia Hayes). With Georges in jail, Wanda and Otto discover that he has protected his investment by moving the jewels from their agreed location to a hidden one, telling nobody where they are but offering Ken a slight hint. Georges gives Ken, an animal lover with an extreme stutter, the task of killing Mrs. Coady before she is able to testify against him, as she is the Crown's primary witness. Meanwhile, Wanda has her own plan to reach her end goal: seduce George's defense lawyer Archie Leach (John Cleese) and find out Georges' secrets about the heist, including the location of the jewels. Archie may be easy prey for Wanda's seduction, as his wife Wendy (Maria Aitken) is a self-absorbed woman who pays him little attention. Otto might throw a wrench into Wanda's plans if he finds out what she's doing.

Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.

Axel Freed, a college professor and very successful at his job, is addicted to gambling, who wins big, but loses it all just as fast. He borrowed from his girlfriend, his wealthy mother, and last but not least a loan shark. It just gets worse for him because he can't stop. But when his girlfriend decides to leave him, his mom decides to disown him, and the mob wants to kill him, Axel decides to make a big score to win big and pay off everyone to stay alive and keep his dignity and come out ahead.

Angelo "Snaps" Provolone (Sylvester Stallone) made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise. He is faced with numerous problems: henchmen who know nothing but crime, the Police who are convinced he is hatching a master plan, and Oscar (Jim Mulholland), who just got his daughter pregnant.

Mitch Taylor is one of the youngest students ever accepted to a university known for its programs for geniuses. He partners up with his roommate, science club legend Chris Knight, on a project to develop a high-powered laser. Together with their hyperkinetic friends, they employ their intellects in the pursuit of bigger blasts, practical jokes, and a deeper understanding of what real genius means. When they find out that their professor intends to turn their work over to the military for use as a weapon, they decide to get even.

A young boy is found wandering without any memory of who he is. A family takes him in and begin to look for clues to help him find his way home. In the meantime, they notice that the boy seems to have certain special abilities, not usually found in kids his age, or even fully-grown adults.

A well respected Chicago surgeon Dr. Richard Kimble has found out that his wife, Helen, has been murdered ferociously in her own home. The police found Kimble and accused him of the murder. Then, Kimble (without Justifiable Reason) was tried, convicted, and sentenced to death. However, on the way to prison, Kimble's transport crashed. Kimble escapes and is now on the run. Deputy Samuel Gerard from Chicago takes charge of the chase of Kimble. Meanwhile, Kimble takes up his own investigation to find who really killed his wife, and to lure Gerard and his team into it as well.

Les doesn't have a driving license yet, but to impress his gorgeous date Mercedes he borrows his grandpa's Cadillac for a night out... and has to witness the poor car going through more and more intense maltreatments.

American singer, songwriter and record producer (1941-1967)

American singer and songwriter (1931–1964)

American singer and pianist (1930–2004)

American singer-songwriter, dancer, music mogul (1933-2006)

American film director, screenwriter and actor

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Andre Parfeniuk

John Dahl directed this exploration of New York private clubs devoted to high-stakes poker, with first-person narration from the film's central figure

Composed and meticulous, the soft-spoken and ingenious bank robber, Dalton Russell, has orchestrated the perfect heist--shortly, the Manhattan bank at

After seven years in solitary, Jake Green is released from prison. In the next two years, he amasses a lot of money by gambling. He's ready to seek hi

Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as h

Money, money. Green and greed.

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Sebastian Bunicz

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American guitarist, singer and songwriter (1942–1970)

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Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find."

In early nineteenth-century China, in the waning years of the Qing dynasty, the renowned swordsman who yearns for enlightenment, Li Mu Bai, decides to give up his legendary Green Destiny sword: the sharp four-hundred-year-old blade of heroes. To mark the end of a blood-stained career, Li entrusts the excellent female warrior, Yu Shu Lien, with the precious weapon to deliver it to Governor Yu; however, once there, an audacious and nimble masked thief manages to steal it. As Shu Lien is hot on the trail of the skilled burglar, unrequited loves; fervent passions; an unconquerable desire for freedom, and bitter loose ends stand in the way. Can Mu Bai shake off his violent past?

Dr. Leo Marvin, an egotistical psychotherapist in New York City, is looking forward to his upcoming appearance on a "Good Morning America" telecast, during which he plans to brag about "Baby Steps," his new book about emotional disorder theories in which he details his philosophy of treating patients and their phobias. Meanwhile, Bob Wiley is a recluse who is so afraid to leave his own apartment that he has to talk himself out the door. When he is pawned off on Leo by a psychotherapist colleague, he becomes attached to him. Leo finds Bob extremely annoying. When Leo accompanies his wife, Faye, his daughter, Anna, and his son, Sigmund, to a peaceful New Hampshire lakeside cottage for a month-long vacation, he thinks he's been freed from Bob. Leo expects to mesmerize his family with his prowess as a brilliant husband and remarkable father who knows all there is to know about instructing Faye and raising Anna and Sigmund. But Bob isn't going to let him enjoy a quiet summer by the lake. By cleverly tricking the telephone operator at Leo's exchange, Bob discovers the whereabouts of him and his family. Despite his phobia about traveling alone, Bob somehow manages to talk himself onto a bus, and he arrives in New Hampshire. Leo's vacation comes to a screeching halt the moment he sees him. With his witty personality, his ability to manipulate people, and his good sense of humor, he quickly becomes an annoyance to Leo, but not to Faye, Anna, and Sigmund, because they think he is fun while Leo is dull. Fearing that he's losing his family to him, Leo frantically tries to find a way to make him go back to New York City, and it's not as easy as he had hoped. He finds himself stepping outside the law to try to get Bob to stay away from Faye, Anna, and Sigmund--he slowly goes berserk, and makes plans to kill Bob.

A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver's career. New York - An immigrant cab driver is continually lost in a city and culture he doesn't understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death.

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