Jaspreet Singh

Hector Jaime Oropesa

aasta Haukland

Jayden

Alokym ya Bassa

Joseph Greer

Catalina Olmos

George Balaskas

Ojasw Upadhyay

Taylor Robinson

Carly Hylton

Daniel Mariani

Emily may be odd, but she always gets even!Meet Emily, the peculiar soul with long black hair, a wit of fire, and a posse of slightly sinister black cats. Famous for her barbed commentary and independent spirit, this rebel-child in black has spawned an Internet and merchandising phenomenon (Emily's Web site gets 35,000 hits per month!). Emily the Strange, her first book, captures the quintessential Emily, featuring her most beloved quips and a host of new ones. Anarchist, heroine, survivor, this little girl with a big personality appeals to the odd child in us all.

alternate cover editions can be found here, here and hereShe was magical, beautiful beyond belief—and completely alone...The unicorn had lived since before memory in a forest where death could touch nothing. Maidens who caught a glimpse of her glory were blessed by enchantment they would never forget. But outside her wondrous realm, dark whispers and rumours carried a message she could not ignore: "Unicorns are gone from the world."Aided by a bumbling magician and an indomitable spinster, she set out to learn the truth. but she feared even her immortal wisdom meant nothing in a world where a mad king's curse and terror incarnate lived only to stalk the last unicorn to her doom...

"I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day...or wondering who did the heart breaking and wondering why."Charlie is a freshman. And while he's not the biggest geek in the school, he is by no means popular. Shy, introspective, intelligent beyond his years yet socially awkward, he is a wallflower, caught between trying to live his life and trying to run from it. Charlie is attempting to navigate his way through uncharted territory: the world of first dates and mixed tapes, family dramas and new friends; the world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that perfect song on that perfect drive to feel infinite. But Charlie can't stay on the sideline forever. Standing on the fringes of life offers a unique perspective. But there comes a time to see what it looks like from the dance floor.The Perks of Being a Wallflower is a deeply affecting coming-of-age story that will spirit you back to those wild and poignant roller-coaster days known as growing up.

"One of the most delightful and enduring classics of children's literature, The Secret Garden by Victorian author Frances Hodgson Burnett has remained a firm favorite with children the world over ever since it made its first appearance. Initially published as a serial story in 1910 in The American Magazine, it was brought out in novel form in 1911.  The plot centers round Mary Lennox, a young English girl who returns to England from India, having suffered the immense trauma by losing both her parents in a cholera epidemic. However, her memories of her parents are not pleasant, as they were a selfish, neglectful and pleasure-seeking couple. Mary is given to the care of her uncle Archibald Craven, whom she has never met. She travels to his home, Misselthwaite Manor located in the gloomy Yorkshire, a vast change from the sunny and warm climate she was used to. When she arrives, she is a rude, stubborn and given to stormy temper tantrums. However, her nature undergoes a gradual transformation when she learns of the tragedies that have befallen her strict and disciplinarian uncle whom she earlier feared and despised. Once when he's away from home, Mary discovers a charming walled garden which is always kept locked. The mystery deepens when she hears sounds of sobbing from somewhere within her uncle's vast mansion. The kindly servants ignore her queries or pretend they haven't heard, spiking Mary's curiosity.  The Secret Garden appeals to both young and old alike. It has wonderful elements of mystery, spirituality, charming characters and an authentic rendering of childhood emotions and experiences. Commonsense, truth and kindness, compassion and a belief in the essential goodness of human beings lie at the heart of this unforgettable story. It is the best known of Frances Hodgson Burnett's works, though most of us have definitely heard of, if not read, her other novel Little Lord Fauntleroy.  The book has been adapted extensively on stage, film and television and translated into all the world's major languages. In 1991, a Japanese anime version was launched for television in Japan. It remains a popular and beloved story of a child's journey into maturity, and a must-read for every child, parent, teacher and anyone who would enjoy this fascinating glimpse of childhood. One of the most delightful and enduring classics of children's literature, The Secret Garden by Victorian author Frances Hodgson Burnett has remained a firm favorite with children the world over ever since it made its first appearance. Initially published as a serial story in 1910 in The American Magazine, it was brought out in novel form in 1911." 

Dear Reader,I'm sorry to say that the book you are holding in your hands is extremely unpleasant. It tells an unhappy tale about three very unlucky children. Even though they are charming and clever, the Baudelaire siblings lead lives filled with misery and woe. From the very first page of this book when the children are at the beach and receive terrible news, continuing on through the entire story, disaster lurks at their heels. One might say they are magnets for misfortune.In this short book alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast.It is my sad duty to write down these unpleasant tales, but there is nothing stopping you from putting this book down at once and reading something happy, if you prefer that sort of thing.With all due respect,Lemony Snicket

An alternative cover for this ISBN can be found hereSophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye.

The day after they moved in, Coraline went exploring....In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own. Only it's different. At first, things seem marvelous in the other flat. The food is better. The toy box is filled with wind-up angels that flutter around the bedroom, books whose pictures writhe and crawl and shimmer, little dinosaur skulls that chatter their teeth. But there's another mother, and another father, and they want Coraline to stay with them and be their little girl. They want to change her and never let her go. Other children are trapped there as well, lost souls behind the mirrors. Coraline is their only hope of rescue. She will have to fight with all her wits and all the tools she can find if she is to save the lost children, her ordinary life, and herself. Critically acclaimed and award-winning author Neil Gaiman will delight readers with his first novel for all ages.

The story of a mentally disabled man whose experimental quest for intelligence mirrors that of Algernon, an extraordinary lab mouse. In diary entries, Charlie tells how a brain operation increases his IQ and changes his life. As the experimental procedure takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment seems to be a scientific breakthrough of paramount importance--until Algernon begins his sudden, unexpected deterioration. Will the same happen to Charlie?

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion:"Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none."When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

Tally is about to turn sixteen, and she can't wait. In just a few weeks she'll have the operation that will turn her from a repellent ugly into a stunning pretty. And as a pretty, she'll be catapulted into a high-tech paradise where her only job is to have fun.But Tally's new friend Shay isn't sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world-- and it isn't very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally's choice will change her world forever...

Alternate Cover Edition ISBN: 0743273567 (ISBN13: 9780743273565)The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.(back cover)

Alternate cover edition of ISBN 0553213695 / 9780553213690"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

Lowry's book is a piece of nationalist propaganda, using oversimplification, emotional appeals, and dualistic morality to shut down her readers' minds. More troubling is that it is aimed at children, who don't yet have the critical faculties to defend themselves from such underhanded methods.Unsurprisingly, Lowry adopts the structure of the monomyth, equating a spiritual journey with a moral one. Her Christ-figure uses literal magic powers to rebel against his society. This rebellion and the morality behind it are presented as 'natural', to contrast with the 'abnormal morality' around him.Lowry doesn't seem to understand that we get our morality from our culture, it isn't something in-born that we 'lose'. This is the first hint of Lowry's misunderstanding of the human mind. She assumes her own morality is correct, and then builds her story to fit it.She also makes the character act and think like a modern person would, despite never adequately explaining how he came up with such unusual notions. It's the same trick many historical fiction authors use, leaving us scratching our heads as to why a Fourteenth Century French peasant speaks like a second-wave feminist. I'd suggest that Lowry falls to this fault for the same reason they do: she has no talent for imagining how others might think differently.Lowry's book ends with the standard nonspecific transgressive spiritual event that marks any overblown monomyth. Since the book is not a progressive presentation of ideas, it does not suggest any conclusion. Instead, the climax is a symbolic faux-death event (symbolic of what, none can say). Confusingly, Lowry later redacts the ending in the sequels, undermining the pseudo-spiritual journey she created.Though some call this book 'Dystopian', it's closer to the truth to say Lowry borrows elements from the Dystopian authors, attempting to combine the spiritual uplift of the monomyth with the political and social deconstruction of the Dystopia. What she doesn't recognize is that the faith of the one conflicts with the cynicism of the other. She draws on ideas and images from many other authors: Bradbury, Huxley, Orwell, Burgess, but doesn't improve upon them.These authors created novels that reflected the world around them. They based them on the political events of the times, presented with realism and careful psychology. Though they presented the struggle between the individual and the society, they portrayed morality as grey, and suffering as the result of individual human faults, not political systems. Lowry doesn't realize that the best way to critique Fascism or Communism is not to present it as 'evil', but to simply present it as it was.But Lowry's world is not based in reality, it is symbolic and hyperbolic. Instead of writing about how poverty makes the world seem small and dull, she has the characters magically unable to experience life. Instead of an impersonal government, she presents a sort of evil hippy commune. The only political system it resembles is a school, which is a neat little trick to get the kids interested. The idea that 'school=unfeeling totalitarian hell' is not an uncommon one, but it's one I'm surprised teachers would support. The book also suggests a creche, but lacking similarity to any real-world system, it doesn't work as a political criticism.Lowry creates this artificial world to suit her purposes, but it is not a symbolic exercise like 'Animal Farm'. We understand that the pigs of animal farm are symbolic, because there are no talking pigs. Lowry's world is more insidious, since its oversimplification is hidden. She builds an artificial world to support the dualist morality that she's pushing. She presents the same knee-jerk fears about euthanasia and abortion that people use against Women's Rights or Health Care.Worse than these Straw Man arguments is the fact that she never deals with the economic causes of totalitarianism. Tyrants don't just rise up and take control by their own force of will, they come into power because of the socioeconomic situations that surround them. Lean times produce strong, fascist leaders while profitable times produce permissive, liberal societies.Strong, centralized leadership simply doesn't self-propagate in cultures where everyone is clothed, fed, and housed. The Holocaust was socially about some ideal of 'change' and 'purity', but it was economically about the transmission of wealth from Jews, Poles, and Catholics to Germans (and more specifically, to those Germans who had elected the new ruling party).The atrocities of war are, for the most part, committed by normal people on other normal people. By presenting the power structure as 'amoral' and 'inhuman', Lowry ignores the fact that people will willingly cause others to suffer. Painting the enemy as 'evil' and 'alien' is just an unsophisticated propagandist method.She contrasts her 'evil' with the idealized 'goodness' of emotion, beauty, and freedom. This is nothing more than the American dream of 'specialness' that Mr. Rogers was pushing for so many years. We are all special, we are all good, we all deserve love and happiness. Sure, it sounds good, but what does it mean?Where does this 'specialness' come from? If it is just the 'sanctity of human life', then it's not really special, because it's all-encompassing. If all of us are special, then none of us are. There's nothing wrong with valuing life, but when Lowry presents one mode of life as valuable and another as reprehensible, she ceases to actually value humanity as a whole. Instead, she values a small, idealized chunk of humanity. 'People are good, except the ones I don't like' is not a moral basis, nor is it a good message to send to kids.If the specialness is only based on fitting in with a certain moral and social guideline, then Lowry isn't praising individuality, she's praising herd behavior. The protagonist is only 'special' because he has magic powers. His specialness is not a part of his character, it is an emotional appeal.The idea of being a special individual is another piece of propaganda, and its one kids are especially prone to, because kids aren't special: they are carefully controlled and powerless. Giving a character special powers and abilities and then using that character to feed a party line to children is not merely disingenuous, it's disturbing.There is also a darker side to universal specialness: giving a child a sense of importance without anything to back it up creates egotism and instability. Adults noticed that children with skills and friends had high self-esteems, but instead of teaching their children social skills and knowledge, they misunderstood the causal relationship and tried to give them self-worth first.Unfortunately, the moment unsupported self-worth is challenged, the child finds they have nothing to fall back on. Their entitlement didn't come from their skills or experiences, and so they have nothing to bolster that sense of worth. Instead, any doubt sends them down a spiral of emotional instability.A single book like this wouldn't be the cause of such a state in a child, but it does act as part of the social structure built to give a sense of worth without a solid base for that worth. People like to believe they are special, kids especially so, but being a remarkable person is not a result of belief but of actions. If the book had informed them, then it would leave them better off, but giving them a conclusion based on emotional appeals does nothing to build confidence or character.Many people have told me this book is good because it appeals to children, but children often fall for propaganda. Children develop deep relationships with pop stars, breakfast cereals, and Japanese monsters. This does not make them good role models for children.Feeding 'specialness' to kids along with a political message is no better than the fascist youth programs Lowry intends to criticize. The obsession with individuality is just another form of elitism. It's ironic that people in America most often describe themselves as individuals when pointing out the things they do to align themselves with groups.But banding together in a community is not a bad thing. For Lowry and other 'Red Scare' children, any mention of 'communal' can turn into a witch hunt, but we all give up some personal rights and some individuality in order to live in relatively safe, structured societies. There are benefits to governmental social controls and there are drawbacks, and it's up to us to walk the line between the two. Anarchy and Totalitarianism never actually exist for long: we are social animals.It's not difficult to understand why Lowry is so popular, especially amongst educators. The message she gives aligns perfectly with what they were taught as kids, from Red Scare reactionism to the hippy-dippy 'unique snowflake' mantra. These ideas aren't entirely misguided, either. It's good to recognize the benefits of difference and the dangers of allowing other to control our lives.If a reader believes that fascism and socialism are inherently wrong and that their own individuality is their greatest asset, they will likely sympathize with Lowry's work. However, this doesn't make the book honest, nor beneficial. One of the hardest things we can do as readers is disagree with the methods of authors we agree with ideologically.It makes us feel good to find authors who agree with us, but this is when we should be at our most skeptical. Searching the world for self-justification is not a worthwhile goal, it simply turns you into another short-sighted, argumentative know-it-all. 'Yes men' never progress.Lowry is toeing the party line. She does not base her book around difficult questions, like the Dystopian authors, but around easy answers. She doesn't force the reader to decide for themselves what is best, she makes it clear what she wants us to think. Her book is didactic, which means that it instructs the reader what to believe.Even if her conclusions about Individuality vs. Community are correct, she doesn't present arguments, she only presents conclusions. Like rote memorization or indoctrination, she teaches nothing about the politics, social order, economics, or psychology of totalitarianism or individuality. The reader is not left with an understanding, just an opinion.The baseless 'individuality' of the book lets the reader imagine that they are rebels--that they are bucking the system even as they fall into lock-step. By letting the reader think they are already free-thinking, Lowry tricks them into forgetting their skepticism.She is happy to paint a simple world of black and white, and this is likely the world she sees. I doubt she is purposefully creating an insidious text, she just can't see past her own opinions. She writes this book with a point to make, and makes it using emotional appeals and symbolism. She doesn't back it up with arguments because she doesn't seem to have developed her opinions from cogent arguments.In the end, she doesn't show us that the structure of this society is wrong, she says nothing poignant about individuality vs. community; instead, she relies on threats to the life of an innocent infant. Yet nowhere does she provide an argument for why communal living or the sacrifice of freedoms for safety must necessarily lead to infanticide.In politics, making extreme claims about the opposing side is called mud-slinging, it is an underhanded and dishonest tactic. It works. Arguing intelligently is difficult, accusing is easy, so that's what Lowry does.She is another child of WWII and the Cold War who hasn't learned her lesson. She quickly condemns the flaws of others while failing to search out her own. Even after the Holocaust, there are many racist, nationalist, violent Jews; conflict rarely breeds a new understanding.America condemned the faceless communal life of the Second World, and yet America created The Projects. We critiqued strong governmental controls, but we still have the bank bailout, socialized medicine, socialized schooling, and socialized charity. America condemned the Gulags and Work Camps, and yet we imprison one out of every hundred citizens; far more than Stalin ever did. Some are killed, all are dehumanized.As a little sci fi adventure, the book isn't terrible. It's really the pretension that goes along with it. Lowry cobbles together religious symbolism and Dystopic tropes and then tries to present it as something as complex and thoughtful as the authors she copied. Copying isn't a crime, but copying poorly is.Like Dan Brown or Michael Crichton, she creates a political pamphlet of her own ideals, slaps a pretense of authority on it, and then waits for the money and awards to roll in--and they did. Many people I've discussed this book with have pointed to those awards as the surest sign of this book's eminent worth.Award committees are bureaucratic organizations. Their decisions are based on political machinations. This book is a little piece of Nationalism, and so it was lauded by the political machine that Lowry supports. The left hand helps the right. If awards are the surest sign of worth, then Titanic is a better movie than Citizen Kane.What surprises me is how many of those who brought up the award as their argument were teachers. If a politically-charged administrative committee is the best way to teach children, then why do you take umbrage when the principal tells you that bigger class sizes (and fewer benefits) are fine? Listen to him: doesn't he have award plaques?The other argument is usually that 'kids like it'. I usually respond that kids also like candy, so why not teach that? Some people also get angry at me for analyzing a book written for children:"Of course it's not a great book, it's for kids! If you want a good book, go read Ulysses!"I prefer to give children good books rather than pieces of political propaganda (even if they agreed with me). Children can be as skeptical, quick-witted, and thoughtful as adults if you give them the chance, so I see no excuse for feeding them anything less. Kids aren't stupid, they just lack knowledge, and that's a fine distinction. It's easy for adults to take advantage of their naivete, their emotionality, and their sense of worth. Just because it's easier for the teacher doesn't mean it's better for the child.When we show children something that is over-simplified, presenting an idealized, crudely moralizing world, we aren't preparing them for the actual world. If you give a child a meaningless answer to repeat, he will repeat it, but he won't understand why. Why not give the child a book that presents many complex ideas, but no rote answers, and let them make up their own minds? If they don't learn how to separate the wheat from the chaff and form their own opinions early, in a safe, nurturing environment, what chance will they have on their own as adults?In all the discussions and research regarding this book, I have come across very little analysis. It's especially surprising for a book with such a strong following, but there aren't many explanations of why the book is supposed to be useful or important.This lack of argument makes sense from a political standpoint, since there is no reason to analyze the worth of propaganda: its worth is that it agrees with society and indoctrinates readers. Analyzing it would defeat the purpose; political diatribes do not stand up to thoughtful attention.Perhaps someday someone will create a thoughtful, textual analysis of this book that will point out its merits, its structure and its complexity. I've gradually come to doubt it. I never expected when I wrote my original review of this book that it would garner this much attention.I still welcome comments and thoughts, but if your comment looks roughly like this: "You should read this book again, but this time, like it more. You think you're smart but you aren't. You're mean. Lowry is great. This book won awards and kids like it. It's meant for kids anyways, why would you analyze what its about? I bet you never even read the sequels. Go read 'Moby Dick' because you are full of yourself."I've heard that one before. If you do want to comment though, you might check out this article; I find it helps me with presenting my ideas.

A day in the life of the employees of Empire Records. Except this is a day where everything comes to a head for a number of them facing personal crises - can they pull through together? And more importantly, can they keep their record store independent and not swallowed up by corporate greed?

Alvy Singer, a forty year old twice divorced, neurotic, intellectual Jewish New York City stand-up comic, reflects on the demise of his latest relationship, to Annie Hall, an insecure, flighty, Midwestern WASP aspiring nightclub singer. Unlike his previous relationships, Alvy believed he may have worked out all the issues in his life through fifteen years of therapy to make this relationship with Annie last, among those issues being not wanting to date any woman that would want to date him, and thus subconsciously pushing those women away. Alvy not only reviews the many ups and many downs of their relationship, but also reviews the many facets of his makeup that led to him starting to date Annie. Those facets include growing up next to Coney Island in Brooklyn, being attracted to the opposite sex for as long as he can remember, and enduring years of Jewish guilt with his constantly arguing parents.

Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel.

The Maysles brothers pay visits to Edith Bouvier Beale, nearing 80, and her daughter Edie. Reclusive, the pair live with cats and raccoons in Grey Gardens, a crumbling mansion in East Hampton. Edith is dry and quick-witted - a singer, married but later separated, a member of high society. Edie is voluble, dresses - as she puts it - for combat in tight ensembles that include scarves wrapped around her head. There are hints that Edie came home 24 years before to be cared for rather than to care for her mother. The women address the camera, talking over each other, moving from the present to events years before. They're odd, with flinty affection for each other.

1975 film by Albert Maysles, David Maysles

In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, out of love or loneliness, hitches a ride on the outside of the ship to rescue EVE. The ship arrives back at a large space cruise ship, which is carrying all of the humans who evacuated Earth 700 years earlier. The people of Earth ride around this space resort on hovering chairs which give them a constant feed of TV and video chatting. They drink all of their meals through a straw out of laziness and/or bone loss, and are all so fat that they can barely move. When the auto-pilot computer, acting on hastily-given instructions sent many centuries before, tries to prevent the people of Earth from returning by stealing the plant, WALL-E, EVE, the portly captain, and a band of broken robots stage a mutiny.

2008 American computer-animated romantic science fiction film directed by Andrew Stanton

After it looks as if she's left his life for good this time, Tom Hansen reflects back on the just over one year that he knew Summer Finn. For Tom, it was love at first sight when she walked into the greeting card company where he worked, she the new administrative assistant. Soon, Tom knew that Summer was the woman with whom he wanted to spend the rest of his life. Although Summer did not believe in relationships or boyfriends - in her assertion, real life will always ultimately get in the way - Tom and Summer became more than just friends. Through the trials and tribulations of Tom and Summer's so-called relationship, Tom could always count on the advice of his two best friends, McKenzie and Paul. However, it is Tom's adolescent sister, Rachel, who is his voice of reason. After all is said and done, Tom is the one who ultimately has to make the choice to listen or not.

Young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from the isle of Iona carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. But with the barbarians closing in, will Brendan's determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil?

2009 animated fantasy film directed by Tomm Moore

Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.

George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his wings. He shows George what things would have been like if he had never been born.

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

From a riddle-speaking butterfly (Robert Klein), a unicorn (Mia Farrow) learns that she is supposedly the last of her kind, all of the others having been herded away by the Red Bull. The unicorn sets out to discover the truth behind the butterfly's words. She is eventually joined on her quest by Schmendrick (Alan Arkin), a second-rate magician, and Molly Grue (Tammy Grimes), a middle-aged woman who dreamt all her life of seeing a unicorn. Their journey leads them far from home, all the way to the castle of King Haggard (Sir Christopher Lee).

Having lived a life in selfishness, young Prince Adam is cursed by a mysterious enchantress to having the appearance of a monstrous beast. His only hope is to learn to love a young woman and earn her love in return in order to redeem himself. Ten years later, his chance shows itself when a young maiden named Belle (Paige O'Hara) offers to take her ill father Maurice's (Rex Everhart's) place as his prisoner. With help from the castle's enchanted staff, Belle learns to appreciate her captor and immediately falls in love with him. Back in the village however, unscrupulous hunter Gaston (Richard White) has his own plans for Belle.

1991 American animated musical fantasy romance film

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona.

Vincent (17) wants to commit suicide as to take a stand against the problems of the world today. His giddy French aunt makes it her mission to save him. Only she's not without problems herself..

Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's real concern for him, Jim must still prove himself to his peers in switchblade knife fights and "chickie" games in which cars race toward a seaside cliff.

1955 American film directed by Nicholas Ray

Adapted from William Shakespeare's play "The Taming of the Shrew," 10 Things I Hate About You starts off with Cameron, new student at Padua High, sitting in the office of the quirky guidance counselor Ms. Perky. He is then shown around the school by Michael, who will become his best friend. During his tour is when Cameron first sees Bianca Stratford, a beautiful sophomore with one problem: she isn't allowed to date. And neither is her "shrew" sister, Katarina, a senior who loves indie rock and feminist prose and hates conformity. But Kat and Bianca's father alters his house rule: now, Bianca can date... as long as Kat has a date, too. Now, in order for Cameron to date Bianca, he has to find someone to date Kat. So Michael helps him enlist the help of pretty-boy/jerk/model Joey Donner, tricking him into thinking that *he* will get to take Bianca out if he pays someone to take out Kat. His choice: Patrick Verona, a bad-boy with a mysterious reputation--some say he ate a live duck once, others that he lit a state trooper on fire, and even more claim that he had a brief porn career. Will Patrick win Kat's heart? Will Cameron win Bianca's? Or will everything hit the fan...?

In Albuquerque, Sheryl Hoover brings her suicidal brother Frank to the breast of her dysfunctional and emotionally bankrupted family. Frank is homosexual, an expert in Proust. He tried to commit suicide when he was rejected by his boyfriend and his great competitor became renowned and recognized as number one in the field of Proust. Sheryl's husband Richard is unsuccessfully trying to sell his self-help and self-improvement technique using nine steps to reach success, but he is actually a complete loser. Her son Dwayne has taken a vow of silence as a follower of Nietzsche and aims to be a jet pilot. Dwayne's grandfather Edwin was sent away from the institution for elders (Sunset Manor) and is addicted in heroin. When her seven-year-old daughter Olive has a chance to dispute the Little Miss Sunshine pageant in Redondo Beach, California, the whole family travels together in their old Volkswagen Type 2 (Kombi) in a funny journey of hope of winning the talent contest and to make a dream come true.

2006 film by Jonathan Dayton and Valerie Faris

As everybody moves to the beat of Pop music in early-1980s-Dublin, the sensitive teenager, Conor, struggles to cope with a tense family relationship; reconnect with his older brother, Brendan, and, above all, deal with the hostile environment in his new public school. Then, one day, he sees her. Tall, with long chestnut hair, a buttery complexion, and big, dark eyes; an enigmatically beautiful girl standing in front of the school's gate, indolently observing people passing by. To get noticed by the distant girl, Raphina, Conor enlists the help of a group of teenage dreamers to form a band--and, surprisingly--with every lyric he writes, the gap narrows, and with every song he plays, her heart brims with affection. Now, before a sea of opportunities, what does the future hold for a brave love like this?

2016 musical comedy-drama film directed by John Carney

1927 Hollywood. Monumental Pictures' biggest stars, glamorous on-screen couple Lina Lamont and Don Lockwood, are also an off-screen couple if the trade papers and gossip columns are to be believed. Both perpetuate the public perception if only to please their adoring fans and bring people into the movie theaters. In reality, Don barely tolerates her, while Lina, despite thinking Don beneath her, simplemindedly believes what she sees on screen in order to bolster her own stardom and sense of self-importance. R.F. Simpson, Monumental's head, dismisses what he thinks is a flash in the pan: talking pictures. It isn't until

1952 film directed by Gene Kelly and Stanley Donen

"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.

1997 American supernatural drama TV series

The body of a young girl (Laura Palmer) is washed up on a beach near the small Washington state town of Twin Peaks. FBI Special Agent Dale Cooper is called in to investigate her strange demise only to uncover a web of mystery that ultimately leads him deep into the heart of the surrounding woodland and his very own soul.

American drama television series from 1990–1991

The offbeat adventures of Courage, a cowardly dog who must overcome his own fears to heroically defend his unknowing farmer owners from all kinds of dangers, paranormal events and menaces that appear around their land.

American horror animated television series

Karl is faced with the different aspects of life by travelling around the world and discovering how different people face life's challenges.

British travel documentary comedy television series

British travel documentary television series

British sitcom about the misadventures of two high-powered career women, active on the London fashion scene. Edina "Eddy" Monsoon is a professional public relations agent, who owns her own PR firm. Patricia "Patsy" Stone is the fashion director in a top British magazine. In their professional lives, they are rather successful. They spend their free time by constantly indulging in cigarettes, alcohol and recreational drugs, while trying to stay young and to relive their glory days in the Mod subculture.

A divorced father, he has custody of his 23-year-old slacker son Ben, who dreams of wealth and freedom but is too lazy to find a real job. Dr. Katz's receptionist is the acerbic Laura. He spends his free time in the bar "Jacky's 33" with his friends Stan and Julie, the bartender.

Somewhere, lost in the clouded annals of history, lies a place that few have seen. A mysterious place called The Unknown... Two Brothers, Wirt and Greg find themselves lost in the strange woods, adrift in a time. With the help of a shadowy Woodsmen and a foul-tempered bluebird named Beatrice, they travel through the foggy land in Hope of finding a way home.

The gang, 5 raging alcoholic, narcissists run a failing dive bar in south philly. The gang make up some scheme for sex, money, fame or for any other terrible reason you could think of. It always goes south however, as the gang (sometimes literally) have their plans blow up in their face.

Dr. Horrible, an aspiring supervillain with his own video blog, is attempting to join the prestigious Evil League of Evil (led by the legendary "thoroughbred of sin", Bad Horse), but his plans are usually foiled by the egotistical superhero Captain Hammer. Horrible's life is thrown for a loop when he falls in love with Penny, a beautiful and optimistic advocate for the homeless he meets at the laundromat, a situation which complicates itself even further when Penny begins dating the boorish, oafish Hammer after he apparently saves her life. Faced with the task of impressing the League, can Horrible overcome his own incompetence to ruin the day, kill the hero, and still get the girl?

In this docu-reality comedy, Nathan Fielder uses his business degree and life experiences to help real small businesses turn a profit. But because of his unorthodox approach, Nathan's genuine efforts to do good often draw real people into an experience far beyond what they signed up for.

Kageyama Shigeo (a.k.a."Mob")is a 8th grader with psychic abilities.He could bend spoon and lift each objects with his mind from young age, but he slowly begin to withhold from using his ability on public due to the negative attention he keep receiving.Now, the only thing he wants is to become a friend with a girl in his class, Tsubomi. With his psychic"mentor"( who has no psychic power), he continues his daily lifes, attempting to realize his purpose on life.

This is an animated sitcom about the antics of a dysfunctional family. Homer is the oafish unhealthy beer loving father, Marge is the hardworking homemaker wife, Bart is the perpetual ten-year-old underachiever (and proud of it), Lisa is the unappreciated eight-year-old genius, and Maggie is the cute, pacifier loving silent infant.

American animated sitcom created by Matt Groening

Daria Morgendorffer is an intelligent, unpopular, and quite sarcastic teenager tolerating life among the idiots at Lawndale High.

A mediocre paper company in the hands of Scranton, PA branch manager Michael Scott. This mockumentary follows the everyday lives of the manager and the employees he "manages." The crew follows the employees around 24/7 and captures their quite humorous and bizarre encounters as they will do what it takes to keep the company thriving.

Meet the wildly dysfunctional Bluth family. This family was once at the height of real estate development in Orange County, California. But when the family business - the Bluth Company - goes bust, they're suddenly found penniless with their assets frozen. They move into their last remaining asset - the model home left over from their latest housing tract. Their luxury vehicles are replaced with a reminder of the family's former wealth: 'the stair car that accompanied their private jet'. The patriarch of the family is George Bluth - he's now in prison, and loving every minute of it. His wife Lucille and daughter Lindsay are spoiled socialites who can't handle getting kicked out of family restaurants. His son Buster is in his mid 30's and lives at home. His son George Oscar Bluth is a magician who started a group to get magicians to be taken seriously, and gets kicked out when his own tricks are revealed. Lindsay is married to a man named Tobias Funke, once a psychiatrist, who decides to become an actor. The only sane member of the family: Michael Bluth, along with his son George Michael, want nothing to do with the family business. But one bizarre circumstance after another keeps Michael and George Michael from leaving their eccentric family.

When Dipper and Mabel Pines get sent to their great-uncle Stan's shop in Gravity Falls, Oregon for the summer, they think it will be boring. But when Dipper find a strange journal in the woods, they learn some strange secrets about the town and its strange inhabitants.

Set in a world only minutes from our own, "Black Mirror", a UK and USA non-hosted anthology series; unveils how modern technologies can backfire and be used against their makers, every episode set in a slightly different reality with different characters combating different types of technologies. The series ran from 2011 until 2019.

The past, present, and future lives of surviving Oceanic Flight 815 passengers are dramatically intertwined as a fight for survival ensues in a quest for answers after crashlanding on a mysterious island. Each discovery prompts yet more secrets, as the hastily-formed colony search for a way off the island, or is this their home?

Sends a chilling message about the nature of a successful high profile corruption prosecution, not limited to the South Korean justice system. Always follow the money.

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You can find the redesigned cover of this edition HERE.This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

American poet, essayist, naturalist, and abolitionist (1817–1862)

When single mother Vianne Rocher (Juliette Binoche) and her six-year-old daughter, Anouk (Victoire Thivisol) move to rural France and open a chocolate shop, with Sunday hours, across the street from the local church, they are met with some skepticism. But as soon as they coax the townspeople into enjoying their delicious products, they are warmly welcomed.

Painfully shy Todd Anderson has been sent to the school where his popular older brother was valedictorian. His roommate, Neil Perry, although exceedingly bright and popular, is very much under the thumb of his overbearing father. The two, along with their other friends, meet Professor Keating, their new English teacher, who tells them of the Dead Poets Society, and encourages them to go against the status quo. Each does so in his own way, and is changed for life.

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When Coraline moves to an old house, she feels bored and neglected by her parents. She finds a hidden door with a bricked up passage. During the night, she crosses the passage and finds a parallel world where everybody has buttons instead of eyes, with caring parents and all her dreams coming true. When the Other Mother invites Coraline to stay in her world forever, the girl refuses and finds that the alternate reality where she is trapped is only a trick to lure her.

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